Course Syllabus
Jazz Ensemble (MUS 394)
Spring 2001
Spring Schedule
Office:
Myers 231
Office Hours: TBA
Rehearsals:
M/W 3:00-4:15 pm,
MFA 300
The
goals of this course are: (1) to rehearse and perform several programs of big
band jazz, Latin jazz, and rhythm and Blues (2) to develop instrumental skills
and to sharpen aural and stylistic skills, and (3) to develop an awareness of
diverse musical styles.
Some
rehearsals will be used for saxophone, brass, and rhythm section sectionals. If
you are not playing in the sectional, use the time to practice your music. Your
section leader may use the time to have sectionals just for your instrument.
Performances:
MARK
THESE DATES ON YOUR CALENDAR NOW. REPORT CONFLICTS ASAP.
·
Jazz Festival concert: Wednesday, April 4, 8:00 pm in
Giltz
Dress
rehearsal: Monday, April 2, during regular class time in Giltz.
·
Duke Ellington Dance Concert: Friday, April 20, at 8 pm in Hartman Theatre
Saturday, April 21, at 2 pm and 8 pm in Hartman Theatre
Dress rehearsal: Thursday, April 19, at 6
pm in Harman Theatre
Expectations:
Participation
in this ensemble requires a commitment and a priority. Those mean:
·
Coming to every rehearsal with your parts learned to the best of your
ability. Rehearsals can then be efficiently used to put the parts together into
a whole. This will require practice outside the rehearsal. Do
not
wait until the week before a concert to begin practicing your music. Immediate
preparation of your part will ensure the most efficient and productive
rehearsals.
·
Registering for this ensemble for credit means that you give it priority
over non-credit activities. Do not asked to be excused from rehearsal because of
a non-credit campus activity (extenuating circumstances can be dealt with on an
individual basis). If you miss rehearsals or performances because you chose not
to give this course priority, you can expect your grade to reflect that.
·
Being ready to begin promptly. Be here a few minutes early so that you
are ready to play on time.
· Being responsible for your instrument and supplies. Do not appear a
minute before the rehearsal begins and tell the director that your one reed
broke, your valves are stuck, you lost your music, etc. Responsible membership
involves taking care of these things ahead of time.
·
Being quiet, attentive, and cooperative during rehearsal.
“A
rehearsal should be where musicians come to learn each other’s parts, not
their own.”
Attendance
Policy:
Attendance
will be taken at every rehearsal. You are expected to be present, on time, and
with your music at every rehearsal. It is
your responsibility
to make sure your attendance is correctly marked. The consequences for absences
and unpreparedness are as follows:
After
the first unexcused absence, each absence will lower your grade by one-half
letter.
After
the first time you are late to rehearsal, each lateness will count as half an
absence.
Every
rehearsal at which your music is not present will reduce your grade by one-half
letter. This applies even if you are not present. MAKE SURE YOUR MUSIC IS
AVAILABLE AT EVERY REHEARSAL.
Attendance
for concerts includes moving and disassembling equipment afterwards. Roll will
be taken both at the concert and after all equipment is moved. Absence at the
second roll call will be considered an unexcused absence. DO NOT DISAPPEAR AFTER
PLAYING WHEN THERE IS EQUIPMENT TO BE MOVED.
Grading:
You
will be graded on:
·
Attendance at rehearsals and concerts (see above).
If
you cannot attend a rehearsal or concert, notify the conductor in advance. An
unexcused absence from a performance will result in a falling grade.
· Discipline in rehearsals. You are expected to be attentive and QUIET
during rehearsals. DO NOT TALK WHEN
THE CONDUCTOR IS TALKING OR WHEN
YOU ARE NOT PLAYING. If you cannot keep quiet, you may be asked to leave the
rehearsal, or, if there are repeated violations, to leave the ensemble
permanently. The former will be counted as an unexcused absence; the latter will
result in a falling grade for the semester.
·
Cooperativeness and preparedness at rehearsals and concerts, including
moving equipment after concerts.
·
Performance quality, up to the limits of each player’s ability.
·
Return of your music. Failure to return music at the end of the semester
will result in the lowering of your grade by one full letter.
These
guidelines are no more than any responsible, serious ensemble member would
expect for a successful experience. If you are serious about learning your
music, being present and on time, helping with equipment moves, making sure your
music is present when you cannot be, and keeping quiet in rehearsals, you can
expect to receive a high grade.
email: rick.davies@plattsburgh.edu
This page was last updated on February 14, 2001