Fall
2008
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Objectives:
This course is
designed to familiarize you with the basic theory and practice of audio
production. You will be introduced to various techniques that cover the
basics for capturing and engineering sound. Although much of the focus of
this class relates to radio production, this introduction to the tools and
techniques of producing audio also provides the foundation for sound
production/reproduction essential in dealing with audio in mediated
environments such as television, film sound, multitrack recording, CD
production, multimedia, broadcast journalism and the web. You will gain an
overview of the basic elements of both analog and digital audio recording
& editing techniques. Classroom-based lectures and testing will cover
the theoretical aspects while projects will provide you with hands-on
familiarity and experience using lab-based production equipment.
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Grading:
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| Grading will be based on the following: |
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| -TestingChapter Quizzes |
45 % |
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| -Production Assignments |
45 % |
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| -Class Participation |
10 % |
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FCC Production
Standards:
As defined by FCC standards, the use of
obscenity, indecency, and racial slurs are prohibited. Production work
cannot use language or material that depicts or describes, in terms
patently offensive as measured by contemporary community standards for the
broadcast media, sexual or excretory activities or organs. The work cannot
depict or describe in a patently offensive way sexual conduct specifically
defined by applicable state law. The work cannot include the use of
obscene or indecent language, or material that is insensitive or
defamatory with reference to race, creed, or color.
Copyright Provisions
Unless
specified in class, production projects require the use of copyright-free
material utilizing either elements you have personally created or items
that have been cleared for use. Among these elements are the sound
effects/music libraries available in the Audio Lab.

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